Bent Sørensen

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Bent Sørensen - Tunnels de lumière (2010)

ATHELAS Sinfonietta Copenhagen & Esbjerg Ensemble 4. jun. 2019: KLANG Festival 2019

Two of Denmark's leading ensembles specialising in contemporary music have joined forces in this evening's anniversary concert in Den ...Sorte Diamant. Pierre André Valade conducts Bent Sørensen's Tunnels de lumière.

The work by Bent Sørense is called Tunnels de Lumiére, tunnels of light. It is one among many of Sørensen's works circling around light, light and shadow, twilight and all thinkable kinds of luminous effects.
The piece was originally commissioned by the French Ensemble Intercontemporain

KLANG Festival 2019
Conductor: Pierre André Valade
Ensemble: ATHELAS Sinfonietta Copenhagen & Esbjerg Ensemble
Venue: Den Sorte Diamant - The Danish Royal Library Copenhagen[+] Show More

Bent Sørensen - Tunnels de lumière (2010)

ATHELAS Sinfonietta Copenhagen & Esbjerg Ensemble 4. jun. 2019: KLANG ...

Bent Sørensen: Sei Anime (2020)

Bent Sørensen (*1958) Sei Anime, concerto for harpsichord and ...

Bent Sørensen: Sei Anime (2020)

Bent Sørensen (*1958) Sei Anime, concerto for harpsichord and ...

Bent Sørensen: St. Matthew Passion (2016/19)

Bent Sørensen (*1958) St. Matthew Passion, for double choir and ...

Bent Sørensen (*1958)
St. Matthew Passion, for double choir and orchestra (2016/19)
libretto curated by Jakob Holtze
texts from the quotes by Edith Södergran, Anna Akhmatova, Emily Dickinson, Søren Ulrik Thomsen, Ole Sarvig ...and Frank Jæger and The Bible/trad.

00:00 I. In veils of mist
10:19 II. Betania
14:27 III. Psalm
18:39 IV. Wild Nights
25:04 V. Crucifixus
34:07 VI. Lament
45:32 VII. Tenebrae
49:44 VIII. Magdalena
55:14 IX. The shore again, Galilee
57:17 X. Into the Mist

Ensemble Allegria
Det Norske Solistkor
Grete Pedersen, conductor

World Première, 12 March 2021, Oslo International Church Music Festival '21

Around 2014, it struck me: what I most wanted to compose was a St. Matthew Passion.

When you reach a certain age, you become aware, as a composer, that you will not be able to compose it all, that there is a limit. So, without telling anyone, possible commissioners, institutions, etc., I decided that everything I was going to compose from then on, was going to lead me to a St. Matthew Passion.

Obviously, that is not exactly how things happened. In the meantime, I composed many works that have nothing to do with a St. Matthew Passion; but in between my “main works”, there are a few smaller ones for choir, that I said yes to, because I could see them as steppingstones toward my goal.

Through these works – through these years – shape and moods for my Passion gradually took form, until I had enough steppingstones to announce I wanted to compose a Passion, that led to a co-commission between Oslo International Church Music Festival and the Danish National Symphony Orchestra. The world premiere was planned for 22. March 2020, but due to the pandemic, the world premiere will now be 12. March 2021.

In 2018, I was finally ready, having enough fragments to start the final work of my Passion, and I contacted Jakob Holtze and asked him to create a text for the work, based on many ‘hurdles’, wishes and fragments. Holtze had previously worked with my good friend and colleague, sadly now deceased, Sven-David Sandstrøm, and created the libretto for his St. John Passion.

The idea for my Passion was a journey, a sort of crucifixion. A journey in the mist – in and out of the light. A journey towards crucifixion, but even more a journey towards resurrection. I felt my own faith, a faith in resurrection, rather than death and crucifixion.

In the music – and in my choice of texts – lies a love passion. Not only Christ’s love declaration to all humankind, through crucifixion and resurrection, but also the simple and beautiful love. The passion for the people we love. The passion one feels for the one we love.

I had – as I mentioned – a feeling of journeying towards the Cross – travelling in and out of the mist. A feeling of looking to the sides, out far to see and read fragments of texts – like graffiti on buildings, house walls. Texts that would remind the wanderer of the situation – life, memories. Almost as when we listen to pop-song lyrics, that are about us, whilst in the middle of our passions – about falling in love, grief.

I also decided, together with Jakob Holtze – that the text should be in English with a few Latin passages (Crucifixus, Miserere, etc.), I had in fact already started looking for English texts with the word ‘mist’ during my steppingstones. I also decided that I didn’t want recitativi, like in Bach’s Passion when Matthew is present. In my Passion I have texts by Matthew, but I have primarily chosen texts by six poets, three women: Södergran, Akhmatova and Dickinson, and three Danish men: Frank Jæger, Ole Sarvig and especially the luminous (and my friend) Søren Ulrik Thomsen.

Based on my wishes, Holtze created exactly the text I was hoping for. Ten movements – from ‘In Veils of Mist’ – where we walk in the mist, to ‘Betania’, ‘Psalm’, ‘Wild Nights’, ‘Crucifixus’, ‘Lament’, ‘Tenebrae, ‘Magdalena’, ‘The Shore Againg’ – a circular journey with memories of the coast, the dark, love and crucifixion – towards ‘Into the mist’, where the journey again disappears with these final words by Søren Ulrik Thomsen: “…the sound of my footsteps goes on, into the mist’.

It is clear, when one composes a St. Matthew Passion, that one is working toward the unachievable. Bach’s St. Matthew Passion is maybe the greatest work of art in any genre ever to be created in our culture.

There are certainly shadows of Bach in this work, but only one hidden quote. When they sing “My God, my God, why have you forsaken me?”, Bach’s recitativo melody lies beneath my own.

Photo by Anders Lillebo / Oslo Internasjonale Kirkemusikkfestival

Full Score
https://cutt.ly/BS_st-matthew-passion

Official Composer Website
https://bentsorensen.dk/

This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at dhdmlwls02(at)gmail(dot)com before submitting a report to YouTube. Then I will delete the video as soon as possible.[+] Show More

Bent Sørensen: Second Symphony (2016/19)

Bent Sørensen (*1958) Second Symphony, for orchestra (2016/19) 00:00 ...

Bent Sørensen (*1958)
Second Symphony, for orchestra (2016/19)

00:00 I.
10:21 II.
16:50 III.
23:34 IV.

DR Symfoniorkestret
Jukka-Pekka Saraste, conductor

World Première, 27 February 2020, DR Koncerthuset

This is not a ’Symphony no. 2’. ...It is a Second Symphony.

For several rather inexplicable reasons it is important to me not “just” to number the symphonies in order to emphasize the genre. Titles, more importantly than genres, are part of my dreams – the dreams that become music. And Second Symphony is definitely both a title and part of a dream.

I thought exactly the same when I composed (and now I almost wrote: "the first") Symphony in 1996.

Second Symphony is in four movements. The first movement opens with a scream. The subsequent parts of the movement form a unified but complex whole, where traces from the coming movements turn up – constantly in interaction with the scream and its echoes.

The second movement is slow and rather melodious. It was actually performed in a “trailer version” – shortened and minimized in December 2018 in the Danish TV programme Deadline.

The third movement is a scherzo – teeming, rhythmic, with almost physical soft and violent meetings, like acts of love between the different layers of music.

The last movement is a farewell song – a goodbye. A musical ship is approaching only to disappear again. Where I perceive the preceding movements as highly contemporary, there is a touch of the past in this last movement – my past. I quote my fourth string quartet Schreie und Melancholie, and in this movement I was also influenced by the fact that my mother passed away during the composition of this piece. Maybe this is my farewell that I write in music.

Photo by Søren Krabbe

Full Score
https://cutt.ly/BS_second-symphony

Official Composer Website
https://bentsorensen.dk/

This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at dhdmlwls02(at)gmail(dot)com before submitting a report to YouTube. Then I will delete the video as soon as possible.[+] Show More